Red culture use in landscape design
Abstract: The "Red Culture" is the period of our revolution produced unique historical and cultural patterns. With the rapid Development of spiritual civilization, and today how we inherit and carry forward the red Culture? Article analyzes the meaning of the red Culture and the spirit of its unique In memory of the cultural connotation of people forget the past difficult years of history at the same time, emphasizing the good life today, in order to stimulate people's enthusiasm for production and daily life.
In this paper, the "red revolution Culture" as a landscape Culture, combined with landscape design theory, the entrance to the city Dawu design example, the use of emotional expression in the landscape design techniques discussed in the regional red and cultural ideas in the use of landscape design.
Keywords:: red culture, red landscape culture, culture, landscape design
1, red landscape culture
1.1 red culture
Red culture is to cultivate the national spirit and carry forward the glorious revolutionary traditions of the carrier. Red and culture can lead people to establish the socialist concept of honor, is conducive to the formation of morality, is to maintain social harmony and the spirit of the bond. Therefore, we should vigorously carry forward the revolutionary culture, and promote socialist spiritual civilization.
1.2 Red landscape and its cultural connotations
Red landscape as a unique form of cultural landscape, mainly in the PArty led the people to great achievements in the revolutionary achievements of the war memorial formed, markers for the carrier to carry the revolution in its history, the revolutionary content of deeds and revolutionary spirit, organization reception and carry out memory of the landscape as the main form of learning. So dig the spirit of the red cultural connotations of pArticular importance.
2, red landscape and cultural features
2.1 Stability
Stability refers to the cultural landscape fused vector in space, in time to maintain a certain consistency to form a unique cultural domain. Whether it is local or national cultural landscape and cultural landscape, they reflect the cultural landscape in a short time without there will be a big change.
2.2 Regional
Regional culture is that people in a pArticular ecological environment, living together is different from other pArts of the formation of culture, different geographical and cultural landscape has formed a regional cultural differences. On the other hand, the formation of the aesthetic needs of different cultural landscape the level of geographic features in the art, so unique in the use of different geographical landscape landscaping elements will be shown when significant geographical features. regional characteristics of culture in the red landscape is particularly obvious.
2.3 Integration of
Cultural landscape is not an isolated system, it is in the coexistence of various cultures into the larger environment, you need based on the natural environment interact with other arts and culture, absorption and integration, to form their own complete Development system. Red cultural connotation must focus on the local rich and unique culture, local customs, and other resources combined.
Red Dawu very rich resources, urban ecological park entrance rushed back seven miles, the venue alone Huan River, so the design to form the "red culture as the theme, the principle of green to blue as the background of the waterfront" design, its goal is to gradually penetrate the red cultural theme background with the integration of the entire region, greatly enriched the red cultural connotations.
2.4 Inheritance
The formation of cultural landscapes are passed from generation to generation by the accumulation of certain social groups, create, inherit and carry forward the long process of cultural landscape. Therefore, no matter what kind of landscape culture, we can find out some of the features and ideas running through them, and other personality and cultural landscapes are formed on this basis. red landscape and cultural history, local culture and environment of the integrated expression, and its not copy of inheritance is obvious from the red landscape so that the culture has its own distinct personality .
3, the red of culture in the use of landscape design
3.1 Site Analysis
3.1.1 Planning site and surrounding environment
Clear the site and the surrounding space is how to transport, sight, use of linked, so that the red venue planning the local landscape and cultural landscape as a smooth continuum component.
Dawu The site is located south of planning, the landscape is an important node in the city entrance, surrounded by roads and surrounded by the north, County Road, west of Huan River, east of Beijing-Zhuhai Expressway, the lot has more than 300 meters along the planning area 2 hectares. Overall, the venues in the surrounding environment in the whole position in the traffic island, but also the city an important window of foreign exchange. Dawu red landscape characteristics of old revolutionary base areas as cultural landscapes, is conducive to enhancing the image of urban culture.
Elements of Planning 3.1.2 Internal site
The original venue on the planning landscape elements, landscape features, spatial structure analysis. To understand the existing landscape in the visual, psychological, and environment characteristics, the new landscape and the original landscape in time and space of the existence of inherit.
Most venues for the general field, relatively flat terrain, water area is rich in water quality is good, little could be due to the venue by the natural landscape, vegetation mostly like Ida, the vegetation on the landscape elements of the organization difficult, in addition to the main road into the city and the venue will be the entire site is divided into four waters, the structure and function of the site has a great influence by traffic organization.
3.2 Site Planning and Design Analysis
3. 2.1 Analysis roads
Design of the road around the site boundary to the east, close to Beijing-Zhuhai Expressway, the traffic resulting rapid attention, this design to emphasize the "linear", the road east of Plaza radial organization of the linear arrangement of trees, resulting in a strong sense of form, suitable for the process of rapid transit to form a deep impression on the landscape.
Venue linking the east area there are two junctions, the main Road, scattered throughout the site will be linked to the Western Waterfront Landscape near Xuan River Road, the rest can be any site reached by the sub Rd.
3. 2.2 Functional analysis of space
Combination of status and site design, dividing the eight functional areas, close to Beijing-Zhuhai Expressway for the Eastern District of ecological landscape forest, isolated from the protective action of the venues are also distributed in northern and southern eco-forest, to ensure the venue greening rate, the rest of Eastern for the memorial plaza and high-speed service area. Huan water near the river for the Western Waterfront landscape, taking into account for future services for the surrounding residents, with the elderly activity area, children's activity area, leisure square and fitness trails.
3.3 Red landscape Landscape Sketches of culture in the use of
Landscape art is the most important characteristics of culture, landscape sketches general lack of appeal of problems will be reflected in its artistic component is too low. Landscape sketch a way to convey cultural content is varied, by color, shape structure or layout so show it. Therefore, the design of cultural content need to convey the different ways to achieve the corresponding visual aesthetics.
3.3.1 the use of landscape sketch modeling
This design sketch of the different forms of landscape to reflect the culture of the revolutionary war and red, such as the broken rubble, burning flames of war, broken guns, four heavy doors, ladders and other post-war comedy elements make the use of these landscape elements can intuitively feel the atmosphere of war, recalled the hardships of the revolutionary history of the year.
3.3.2 the use of color on the landscape sketch
Pieces of the five sites are used red, red symbolizes the one hand, war, recalling the glory days that year, on the other hand reflects the local culture, local culture ----- red. Makes the green vegetation and blue Waterfront the background tone of the space under the effect of highlighting the theme of the red pieces. reposted elsewhere in the Research Papers Download http://www.hi138.com 3.3.3 implies the use of landscape sketch
First in war, "the rubble of debris" is used meaning war past ruthless destruction of their homes, destruction of houses, displaced separated, "the burning flames of war" status meaning the fierce war, the war continued to smoke, "break the gun" moral turning point of war, ��������ǰ, light just around the corner, "Four Gate" meaning end of the war, the Chinese from an old society into a new society, "ladder" implies a new society under the people's life, including material and spiritual levels are steadily onward and upward.
3.3.4 landscape sketch in the space layout and the use of tour route
Sometimes the concept of cultural landscape needs expressed by people involved in the interaction with the landscape to understand the process. People walking in the landscape, feel the space, form, color and other changes, when landscape design needs to have people be able to close the road, site to have appropriate space within which people walk and stay.
Main Road, the landscape along the site layout sketch, and its meaning according to sketches set in space, from East to West is a re-take the revolutionary process, from West to East is to review the history of the revolution, so horizontal and vertical space of time to form the Revolutionary War The process of reproduction, makes the process of watching the road, to deepen the impression of the landscape.
3.4 Red Landscape Culture in the use of landscape plant configuration
3.4.1 implies the use of landscape plant
Red landscape and cultural highlights, we must also reflect the design of ecological principles. For "Red Culture" Plants have to firmly grasp the theme of the main relationship between people and environment around the design space to create a spirit of place.
Planted with pine and other evergreen tree species of plants have a certain symbolic significance, and create a commemorative atmosphere, such as the old cypress because of its bold and not afraid of cold, evergreen, and compare people's unyielding spirit will last forever. The design of conifers within the site plants are cedar, cypress, juniper, fir and other pool. the so-called Three Friends of Winter, is the pine, bamboo and plum with plant forms, because they have the unyielding, sharp sense of integrity of character, as a symbol of unyielding revolutionary will of the revolutionary predecessors . In addition scented osmanthus, Yu said the revolutionary spirit shine forever, planting martyrs Hanxiaojiuquan smile express the appreciation, a symbol of revolutionary martyrs cuckoo dauntless spirit of sacrifice, the moral culture of the plant so that the theme of the red is reflected.
3.4.2 color landscape plants, the use of morphological
Seasonal changes of plants for a variety of brilliant colors provide the possibility to create a landscape, and bring with it an endless stream of visual experience. For Tixian red landscape culture, the more appropriate symbol of pure white lines, such as magnolia, Magnolia grandiflora, Michelia, cherry and other red line symbol of revolution, such as sweet gum, pomegranate, acacia, oleander, Phoenix and other wood, yellow, symbol of the noble line, such as bloom, Kim, Yunnan, Xin Huang, Hypericum, such as yellow iris, purple symbol solemn, such as paulownia purple, lilac, wisteria, pansy and so on.
In addition to selecting species with memorable revolution, but pay special attention to the diversity of vegetation in order to avoid too much like the martyrs cemetery solemn atmosphere. Moreover, you should note that the proportion of tree and shrub mix of evergreen and deciduous tree species and the proportion of colored leaves match.
The choice of venue vegetation dominated by native species, the appropriate introduction of exotic species. Urban green space is more than 30% of the main road, camphor trees to evergreen tree species with native tree species Sapium, colorful landscape make the four seasons. Eastern Plaza road radial cultivation of cedar, juniper, with privet, boxwood hedges and ground cover plants such as to form a scattered landscape level. Western Waterfront area, planting fir, yellow iris and other aquatic plants, the use of embankments way back to Taiwan to increase the vertical sides of green plants such as the weeping willow, weeping cherry, Yunnan, Xin Huang, Taiwan and other stack with wood and weaken the levees stiff feeling, enhanced ease of hydrophilic and safety. Also suitable plant with tallow, tulip tree, ginkgo tree leaves to enrich the landscape color color, solitary plant, sheet plant also.
4, the Summary
Design technique using emotional expression, red landscape of cultural expression sites Qinggan local residents, landscape image, and strengthen their sense of identity places the city at the same time enhance the visibility, but also for the Development of old revolutionary base areas to a rare opportunity.
[References]
[1] Li Shaoyun. Localization of Urban Design [M]. Beijing: China Building Industry Press, 2005.
[2] Xiao Zhang group. Visit the landscape should have the right attitude towards the red [J]. Chinese militia, 2005, (8).
[3] Juan. Red scenic landscape and cultural [D]. Fujian Normal University Master thesis in 2006.
[4] Wang first. Red and cultural value and its realization [D]. Shandong University, a master's degree thesis in 2006.
[5] Hsiao-Yun. Red Tourism Strategy of Sustainable Development [D]. Liaoning Normal University Master thesis in 2006.
[6] Yu, LI Di Hua, Ji Qingping. Landscape and Urban Ecological Design: Concepts and Principles [J]. Chinese garden in 2001, 06 :3-10.
[7] Lu Qin Zhi. To create a cultural landscape as the main landscape design [J]. City building, 2007 (5) :89-91.
[8] Tadao Ando <<Tadao Ando on the building>> [M]. White Translated Beijing: China Building Industry Press, 2002. Links to Research Papers Download http://www.hi138.com
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