In modern China, traditional elements of book design

Paper Keywords: traditional elements of modern book design
Abstract: Analysis of the Chinese traditional elements of book design in the modern form of expression used in modern and traditional elements of book design reasons, to do a good job in the design of Traditional Culture and modern books, the effective integration of design theory and innovation.

First, the Chinese traditional elements in modern book design in the form of
In fact, the traditional Chinese elements should be defined more accurately as the traditional visual elements, mainly referring to activities or events in the works of Art can be represented in the visual symbols, including color, image, graphics, and can be displayed the spirit of the Culture, including folk Culture, thinking force-type, values, behavior, etc., which refers not only to the visual elements of visible-death level, but also the spirit of the abstract level, but no matter how the performance with the "China" Construction of the second word from the association.

Can have as many books and enjoy the beautiful expression of Traditional Culture media most subjects, for example, to have a profound Traditional Culture and history and relationship, China's Dunhuang relics of the books is included with the feeling of drawing on the best time of cultural elements to produce village is extremely classic and most creative Art and design. In this sense, the book design is only male in the nation's cultural roots and learn a wealth of nutrients and name of wisdom in order to produce the most outstanding popular favorite Art and Design.

Specifically, the visual elements of traditional Chinese design in the modern book form of the application and is mainly reflected in three levels, first, from the application element of view, Chinese painting, Chinese characters, calligraphy, seal cutting, seal, totem, clouds pattern, Chinese knot, Qin Ji Han W, Peking opera masks, shadow puppets, Chinese lacquer ware, bamboo finished, the four treasures, yo paper, kites, Ruyi, Chinese embroidery, water hyacinth, painted pottery, teapot, Chinese porcelain, stone lion, costume, chopsticks, gold ingot, wishful, gossip, etc. to be present, the use of membership materials and children design elements. Third, from the application form, the traditional visual elements of shape, composition, color, modern book design can give priority to the use of forms. Third, the approach from the application point of view, through the direct application of the traditional visual elements, form, by shift, element recycling, the use of charm inheritance practices using four modern Art and design books within a certain more 711 more beautiful.

Second, the traditional Chinese design elements used in modern books, the reason
As everyone knows, China's long history and profound cultural background gave birth to the visual elements of traditional Chinese Culture and Arts rich and unique content, for the same design as the Culture of books provides a wealth of nutrients, wisdom and experience of skill, but it does not mean that we In the modern book design in a traditional visual elements can be abused, simply copy and reproduction of the traditional visual elements, such a practice not suitable for book design aesthetic aspects of moving in a correct and healthy development. On the contrary, membership in the modern design of better play the role of Traditional Culture, we need to do to understand the spirit of the Chinese symbol of Chinese Culture and aesthetic ideas in order to do so in the design of Traditional Culture and modern f5 membership effective integration of design theory.

(A) the symbol of Chinese spirit
In the long history of the Chinese nation and the survival and long-term development, nurture a lot of reflection of Chinese national culture and national spirit of the public mental towels, such as: good luck happy, safe wishful, peace and prosperity, good weather, bumper harvest, etc., may become spiritual food of modern book design.

If luck is the Chinese people in the long-term concept of social practice and gradually formed the basis of specific psychological yearning and pursuit, reflecting people's lives, seeking safety and psychological needs of soil and aesthetic, which in most of the traditional auspicious patterns are significant in the " Figure will be interested in, Italy will be lucky ", in fact, wanted to create an auspicious environment, and to the United States pinned to pray Kyrgyzstan Microhyla to the symbolic decoration design, such as patterns of several Ah and the sun, said the sheep open Thailand; draw a few magpies standing eucalyptus branches, meaning that shoots hi. reposted elsewhere in the Research Papers Download http://www.hi138.com (b) the performance of Chinese Traditional Culture
Chinese culture has a long history, profound cultural essence of the most difficult to understand the core of the most extensive 'all one' spirit, its source is I <<Moral Sutra ">, which was intended to be the pursuit of the natural man and the universe harmony The cultural connotation far-reaching impact on China in various fields. such as Liu ship <<Wenxindiaolong. find>> articles of soil to be discussed in the subjective "feeling" and the objective of the "King" in the relationship between literary creation, which kinds of "scenes" creative mode is Chinese culture, "Heaven" thought in the embodiment of literary creation, and in painting, art and design on the performance of the "things I blend" the essence of the idea.

(C) the inheritance and development of Chinese culture
"Things I blend" thought in the art of design requirements and that God as the outside, as in Taiwan, the statement in the accident, meaning that the design process will be objective in the art form and spiritual content to do things, knowing the heart, intimate knowledge of the after experience in accordance with their observations on the fly, free and for the free and easy with ease, "meaning to write to God." Inheritance Book design, application and innovation this method, reflected in the design field and in the pursuit of aesthetic design natural, mood and charm of the bookish style is that China and the development of this cultural inheritance.

Third, the traditional Chinese elements in the innovation of modern book design
The spirit of the pursuit of the best things, whether in the past or present are the same. In the future we shall be saved "tradition" has yet to be created in today and maybe even the foundation of two new concept and technology caused the accident. In other words, the traditional pry into the future based on the nature of the spirit, from traditional to seek creative potential, read the imagination and wisdom to carry out the design of a modern book becomes very important.

(A) of the visual beauty of the innovation
In the tradition of visual elements such as content, based on books, art and design to make more beautiful, can be 4 to this innovative design methods. Only seven books in the modern symbol of auspicious symbolism of the visual elements of the transmission, through a particular re-image of benevolence, while innovation and transformation, not the image of physical or abstract symbols represented in art more far-reaching, more obscure symbolic, as is also the performance of auspicious meaning, consider the cover of the book from the Buddhist use of graphic design Eight rooms of the "eight auspicious" one of the "long drive" shape, whichever is "a long history, going," meaning, through which the ancient meaning of the follow Cheung, also to convey the modern longing for a better feel of things design philosophy, one more modern design and the cultural atmosphere of this affinity.

(B) the innovation of Chinese culture
Visual child elements of traditional Chinese style changes more slowly, but is not to say ignore or oppose creating, in fact, with the delicacies of social progress and the continuous development of open development, the traditional visual elements are constant innovation in the personal development and advancement, but these innovations are in the succession and the iconic cover of divination, we do not detect nothing more. In fact, modern book design, it is not difficult stone to use in traditional ink painting, they attach to the classical concept of love fused with modern design, reflect the traditional culture and modern business, culture and harmonious dialogue. Links http://www.hi138.com Research Papers Download