Analysis of the Causes of Chinese Aesthetics Language

Paper Keywords: Discourse Construction of Chinese Aesthetics of Chinese Modern Chinese traditional Aesthetics
Abstract: A Century of Chinese Modern History, Construction of a dominant Western aesthetic discourse as "buildings", with more than two thousand years of history, almost dying of traditional Chinese aesthetic discourse. This set of modern Aesthetics from China and China-based Zhuo traditional Aesthetics their own weaknesses, the Chinese Aesthetics Language of the basic reasons, hoping to explore the aesthetic discourse of rebuilding the road in China.

As an independent discipline, the Chinese modern aesthetics from the Liang, Wang Guowei to qian, Cai Yi, to hou, China established the basic framework of modern aesthetics, as we see today <<aesthetic principle>> or <<Aesthetics Introduction>>. However, these treatises from the proposition, the category to the system, the basic are "parked to products", always with an imitation, copy the traces of Western aesthetics, the lack of their own national style. Just as Mr. Nie Zhenbin said: "20 century and the beginning of the spread of Western aesthetics, 20, began to talk about aesthetics in the higher classes, and publishing <<aesthetic principle>> or <<Aesthetic Theory>>, published in a variety of aesthetic article, after nearly a hundred years, the number of speakers , publication number, the number is impossible to make precise figures, but in terms of quality, we can say is copy the Western (or Soviet) model, category, proposition, or the imitation of the Western system is the West. "Chuan Modern aesthetics has become the genre of Western aesthetic thought of the "mouthpiece" and local characteristics in China with Chinese traditional aesthetics of the communication, it becomes a "dud." Fu Cheng, Mr. Wang said China and the Chinese traditional aesthetics of modern aesthetics has become a "trail run two stock cars, is very different theoretical ideas. Of course, we are not completely deny this centuries-old Chinese modern aesthetics, aesthetics do not advocate the use of Chinese traditional place of the Chinese modern aesthetics, but would like between find the entering point, the method used to construct a Western aesthetic way of thinking and the Chinese people and the discourse of aesthetic experience real Chinese aesthetic habits. This is a huge project, in this project the establishment of the Chinese aesthetic discourse is the key subject. discourse theory system's important role, not only is the theory of external expression, but also the theoretical system of thinking. discourse is not nationalization, it will never carry the theoretical system can not nationalization. This give 21st century aesthetics raises an important issue, how to construct the Chinese language and thinking way of speaking based on the aesthetic experience of the Chinese nation as the Research object and the aesthetic activity to explore the commonality of the Chinese nation is the highest aesthetic purposes Chinese aesthetic discourse.

First, do not buy traditional Chinese aesthetics, "one field" and "Tickets"
Chinese Aesthetics from the date of the establishment to Western aesthetics as the reference, both Wang Guowei, Cai Yi, qian hou or all of Western philosophy and aesthetics of a genre as the basis for constructing their own aesthetic system, and the proposition, areas, systems are also "moved the."
It should be said, both Wang Guowei, qian, Cai Yi, or hou, their theoretical achievements, the development of modern Chinese aesthetics played a big role in promoting, and it enables the Chinese aesthetics on a scientific and systematic way, there are a relatively stable logical system and expression. However, the Chinese modern aesthetics but also into the misunderstanding, that is the basis of Western Aesthetics in the Construction of Chinese modern aesthetics, the right to speak had to be handed over. language for a nation , it is not only interpersonal communication, a way of speaking nation is thinking foundation of this nation. When we put the right to speak Chinese to Western aesthetics aesthetics, you mean that when we again face the aesthetic problems will use to think the Western way of thinking, with the Western discourse speech. Therefore, the formation of the following two phenomena:
(A) top view with the Western aesthetic principles to the actual Chinese aesthetics, therefore, can only be exhaustive, far-fetched. Such as Confucius, Mencius, Lao Zi was written aesthetics, but also to talk about their understanding of the nature of beauty. In fact, the old Confucius and Mencius and the whole village important figure in the history of Chinese aesthetics, the beauty of nature is very abstract theory is not interested in little direct talk about this issue. they are interested in the realm of beauty, the spirit of the United States. while they pursue this realm and spirit, unlike Plato's speculation as to the abstract and logical deduction, unlike the deductive and inductive, as Aristotle, but the taste, experience, perception, insight, contemplation, therefore, not seen in the form of logical system. So, talk about how Confucius, Mencius, Laozi and Zhuangzi discusses the nature of the United States, is undoubtedly far-fetched. Chinese art and ideas in the sense of time and space, is a unique Chinese art of creating mood, it reflects the unique Chinese art is different from the implication of the West, content and spirit, it is not only the difference between Chinese and Western art methodology, and Western philosophy and cosmology is a huge difference. like this in the widespread practice of Chinese art case, in our Introduction to the aesthetics or aesthetic principle is rarely talked about or even avoided. The reason is that the Western aesthetic system constructed modern Chinese aesthetics, can not solve China's aesthetic practice.


(B) of the Western aesthetic discourse to explain China's aesthetic category of aesthetic phenomena and psychology of Chinese people, often resulting in "mistaken identity" or the words do not convey. "When the 'open eyes' of the Chinese aestheticians almost unanimously to put on Chinese Aesthetics construction efforts and hope to lock in the modern Western aesthetic direction for the theoretical model ", the Chinese will be more and more deeply modern aesthetics fall into the dominant Western system of discourse among the Chinese aesthetics of Chinese Aesthetics dialogue becomes very difficult. In this case, the discourse of traditional Chinese aesthetics and the psychology of aesthetic interpretation of the Chinese people, only students pull rigidly applied, or even "mistaken identity." For example, the history of Chinese art that deliberately does not Western the noble, nor the tragedy of fear and pity, and therefore did not the formation of aesthetic categories, but it was forcibly China's masculine beauty, feminine beauty with the West, high, equal to the same beautiful, the sadness and resentment of people out West the scope of the tragedy of aesthetics, this is a "mistaken identity" approach. Chinese aesthetics unique insight in the many aesthetic category, but not because of Western aesthetics, it was shelved by. reposted elsewhere in the Research Papers Download http : / / www.hi138.com Second, the Chinese traditional aesthetics of the lack of scientific co-ordination and integration of logic, it is difficult to form a strict disciplinary system
From the current Research of traditional Chinese aesthetics perspective, the aesthetics of the hand, such as Confucius and Chuang Tzu's aesthetic thought; aesthetics of a stage, such as the Tang Dynasty, aesthetics, aesthetics Wei; of an art class aesthetics, aesthetics of calligraphy, such as the Han Dynasty more. However, little attention has been the traditional Chinese aesthetics to do to integrate these valuable asset to modern scientific Research methods, constructed by the Chinese nation as life itself to Chinese language thinking way of speaking based on the Chinese aesthetic discourse. This is indeed a difficult task. because we have always been the lack of longitudinal study of the history of Chinese aesthetics, the lack of universal significance in Chinese Aesthetics in the depth of the problem and reason induction. For example, areas of traditional Chinese aesthetics, some say, is the scope of study of Chinese aesthetics, this argument is simple, but not unreasonable, the category is indeed supporting the framework of traditional Chinese aesthetics. but so far we have the Research is not enough did not form a certain depth, rigorous scientific conclusions. like "Landscape", "see" these can cause thousands of Chinese people think of the scope of mind, is the national psychology and national representatives of the aesthetic paradigm, it is attributable to the chain of Chinese Aesthetics Which ring and its position in the Chinese aesthetics, should give a clear answer. Of course, we recognize that the traditional Chinese aesthetics is a complex disorder, the West in ancient China lacked the kind of careful confirmation and logical thinking. But big cultural integration in the world today, we mastered the world's most advanced cultural and scientific methodology, not just when Western aesthetics, "Porter" and the Chinese traditional aesthetics of the "mouthpiece" to be creative work done by the ancient Chinese aesthetics The transition to the modern.

Third, the ancient Chinese aesthetic discourse is not mature enough, the lack of essential characteristics of things and the connotation and extension of the summary and description, are also a major cause of Aesthetics Language
Discourse of traditional Chinese aesthetics more than a "descriptive" language and "figurative" interpretation, the lack of propositions and scope of the strict definition, connotation and extension of vague, often formed benevolent see benevolence and the wise see wisdom in the situation. For example, Lu In " <Wen Fu "> in on the artistic imagination of the problem has done a wonderful description:" The beginning is also, all ratings against listening and stay thinking near the hearing, fine duck very heart swim million early. the cause also, love Hitomi Long and indemnity fresh , objects from each other and into the Zhaoxi; dumping of Languages leachate, Shu Fang Run the Six Classics; floating far cry from the safe flow, placed under the spring and potential leaching. So the Buddha Yue Shen speech, if the fish hook out of the re-Yuan of the title deep; floating algae wandered Ying, John Bird has to pay the cloud of falling Jun. of rouge BES received text, the removal mining golden rhyme; Xie Zhaohua to have been disclosed, Kai Xi, Induce; view past and present in a moment, ask the whole world in moment. "description of the wonderful really appeals to the imagination, but as a concept, Lu failed to give the exact characteristics of the imagination but briefly. Again <<Liu Xie>> on the" Meditation "is defined, "an old saying: 'shape on top of the Jianghai, feel under Wei rouge.' mental state that also. Man Thinking also, its far from the truth of God. so silenced condensate into account, then while you're thinking, quietly moving, depending on the Cross Ten ; chant between the voice gateway bead, imminent, before the color volume Shufeng Yun. "Liu dancing here is only borrowed <<Zhuangzi to King"> in an allusion to the description and image interpretation. The above activities variety and so forth. can be said that the expression of traditional Chinese aesthetics to the Chinese aesthetic discourse of the establishment, played a significant block effect.

In addition, the Chinese ancient Chinese and the modern Chinese in the "butt", the occurrence of a certain degree of significance of conversion, which the Chinese aesthetics as an independent discipline in the establishment of the modern formation of a certain obstacles. For example, today we talk about " nature "of the word, the first thought is" natural "and very few people will think," This is really a state. "However," natural "can be said that the core issue of Chinese aesthetics, its origins can be traced back to Lao Zi" return to basics, "the aesthetic ideal, the Wei and Jin" Norm and the more natural "carry forward, to Gill Liu" natural way "and established, it always represents the weight of Chinese art and aesthetics of nature, yet the concept of character. So Chinese traditional aesthetics of the "natural" or "natural," "authentic" Chinese and Western aesthetics and aesthetics of the "natural" or "nature, nature in the" butt ", there has been a huge rift.

In short, we are here to discuss the reasons for the Chinese Aesthetics Language is not out of narrow nationalism against psychology, but because "the right to speak" real bearing on who we think about the mind, is our own, or use Westerners, the relations on an equal footing outside of our ability to communicate effectively in academic issues. can establish their own aesthetic discourse in China, will be whether the Chinese Aesthetics in the future development of the key. reposted elsewhere in the Research Papers Download http : / / www.hi138.com