"America is not from the U.S., the person and Chang" - On Ye Lang "in the image of the United States"

[Abstract] "United States" is a complex concept. Throughout the history of Western Aesthetics, the "beauty is what" question has been debated. Ye Lang will be "United States" comes down to aesthetic image, which makes the Chinese system of modern Aesthetics outstanding theoretical contributions. In this paper, Liu, "United States does not own the United States, Akira from person to person" for the proposition as a theoretical starting point, specific analysis of the use of imagery Ye Lang ontology of "beauty" of the interpretation and the contemporary Aesthetics of the existing theoretical shortcomings of problems.

[Keywords:] Ye Lang Image "from the United States and the United States not because of man Chang"

Ye Lang's "Image" is a long-term study of Chinese and Western aesthetic philosophy, art, Aesthetics and other aspects of the theory of crystallization. Throughput his broad-minded Chinese and Western cultures, to grasp the most aesthetic of Chinese national spirit of the local characteristics of the theoretical form. Leaves Long the "image" as a logical starting point of Aesthetics is the study of China's one-sided contemporary aesthetics and mechanization tend to get rid of and overcome.

An "image" concept
"Image" before the concept of a word, "meaning" and "image" were used in the "<Mountains and Seas>> in. The" meaning "and" elephant "in a sentence, first appeared in the <" perceiving copulative >>. "images" as a term dating back to Wang's <<Lun Heng> "Lane, and officially" Image "introduction to literary theory, began in Southern Liu Xie.

Liu Xie, the image theory as a theoretical category to be examined, can be set up in the Tang Dynasty. In the further development of Song and Yuan Dynasties, and in the Ming and Qing dynasties basically mature, Qing Wang Fu-chih is that "poetry has no Da-Zhi ", indicating that the meaning of poetry and more aesthetic image characteristics.

Contemporary American Scholars in China, Ye Lang on Modern Chinese and Western aesthetic Research and reflection on the "image" of the most aesthetic connotation of local characteristics with Chinese ethnic Theory. The one hand, he opposed the West's "Subject and Object" thinking, on the other hand, in the succession of traditional Chinese aesthetics, based on the Guangqian, Mr. Zong Baihua on the "image" theory of inheritance and to be critical. First, he believes that qian In "<Poetry>> used in the "Image" should actually be understood as "representation" and "the realm of poetry" should only be described as "image." Second, Ye Lang made it clear that Mr. Zong use of the "spiritual realm" is the "image" rather than " mood, "and that" mood "and" image "is not the same concept." Mood "is the" image ", but not any" image "are" mood "." mood "In addition to the" image "of the general provisions of , there are special rules of their own. Therefore, he solemnly made, it should be "from qian 'then say'", to return to Chinese philosophy and aesthetics with the kind of focus on "Heaven", re-experience, "America is not from the U.S., the person and Akira" and "image" of tradition, and in the "<chest of Bamboo>> the first time in the" image of the United States in. "
II "image" the premise of the formation of
Image, in short, is the "Meaning" and "like" an organic combination. What kind of "King" to send people to the "feeling"? When people enjoy the same place, "King", why is triggered by the "situation "also vary it? This requires a deeper level in the longitudinal analysis," image "formed by the premise.

1. Aesthetic nature of the "image"
Why do we choose to enjoy the natural beauty of the flowers, the moon, the United States will choose to enjoy the social plane, skyscraper, will choose to enjoy the beauty of human body beautiful tall? This is because the thing itself with the objective of the aesthetic nature. ��˹��ά�� said : "the opposite of the aesthetic and negative, that is the antithesis of the broad U.S. and negative, not ugly, but the aesthetic indifference, that is too dull, too common, too old or something is too offensive, they are not in our Waking the body form of sympathy and appreciation of artistic ability. "In his view, the main body of the" love "and" King "is not in any case be able to blend and fit of the communication. those ordinary, banal, offensive "like" and could not arouse the aesthetic subject, and thus can not enter the main aesthetic activities, of course, will not produce "image." In other words, the aesthetic of the main selection of the "like" beauty is not only not stop the production of digestion, It will lead to the occurrence of beauty, then this makes the "as" must have aesthetic properties.

2. Exist in the context of social and cultural environment, the main body of the "meaning"
Same flower, but the entrance exam for the students, then bright flowers can not enter their aesthetic vision. The same is a <<Dream>>, opinions are different. Not only the same object, different aesthetic the aesthetic subject, individual differences, and the same person in different circumstances there will be aesthetic differences. Du Fu, "I swim past Jincheng, Jie Lu Jin Pin. a bamboo one are the other, the towering trees," and after the description of the bamboo has "New Song Henbu thousand feet high, and the evil should be cut million bamboo pole", which are described the contents of the individual aesthetic experience is not fixed, but the specific, historical, and as social practice the development of ever-changing.

"Aesthetic psychological structure is essentially a product of social history, it constitutes the aesthetic experience from the social culture, from the refined aesthetic experience made this aesthetic, aesthetic, aesthetic ideal and some more directly social life, a certain sense of social value is linked, so permeated with this sense of aesthetic psychology of the aesthetic value of the experience, certainly with the social life and cultural development and changes in the development of psychological changes, has very distinct times, ethnic, class of mood and color. "Thus, in the context of social history and culture, when the aesthetic nature" as "consistent with the main body of the" meaning ", and the main body of the aesthetic and reached the scene of Feelings, the situation in the see the complete scene , full implication of the perceptual world, they formed the "image."
Schools in China and the United States, had such a view that "beauty" is an objective. For example, the welcoming of Huangshan pine is a kind of objective reality, then it is also an objective existence of beauty. This is wrong. It negates generated in the context in the history of the rich aesthetic and emotional differences. different ages, classes, nationalities of people view the United States are vastly different, which makes it difficult to trace "the United States." And Ye Lang's "Beauty is in the image "is to solve the problem.

Three "U.S. is not from the U.S., the person and Chang"
Liu Tang thinkers in the "<Yong Zhou Shan Mao Ting Liu Zhongcheng as a horse back in mind>> there is such a statement:" When a man is not from the United States and the United States, Akira from person to person. Lanting has not been Youjun, the clear turbulent Xiuzhu, Wuhu did not carry on in an empty mountain. "Liu presented here, an important idea: that only in aesthetic activities, through the aesthetic consciousness of the subject to discover the" King "(Qing turbulent tall bamboo, and" wake "it," light "it, make this natural "King" by the very thing into a complete, has meaning, abstract perceptual world that is "image", the nature of the "King" can become the object of aesthetic aesthetic subject in order to become the United States. also That is, "clear turbulent tall bamboo" as the nature of the "King" is not dependent on the aesthetic subject and the objective existence outside the United States is not the thing in itself, not because of foreign objects of its own nature is the aesthetic beauty ("the United States not from the U.S., "the U.S. can not do without people's aesthetic experience, and only after a person's aesthetic experience, the natural landscape can be revealed as" Chang "is the highlight, discover, awaken, light (" Chang from person to person. "
Both in the East, or in the West, expressed a similar view are many. Confucius "The wise delight in water, the benevolent Leshan," Chuang-tzu's "forest with! Gao soil with! Makes me happy and Shin, however!", Sartre said: "This destruction and silence the thousands of stars, the moon and this gloomy bend of the river in a unified view to show up this view, if we disregard it lost witness , stuck in a state of eternal obscurity.

"These statements are that the U.S. depends on the person's consciousness, to be people to discover, to illuminate, to be one of the" meaning "and natural" as "communication fit.

On Liu's "beauty is not from the United States, Akira from person to person," this proposition, Ye Lang will be divided into three levels to understand:
1. Beauty is not born free, and the United States is inseparable from the viewer, the viewer comes with any creative
Ye Lang that the U.S. can not do without people's aesthetic activities, the United States in the image. The image of the world is not a physical reality, nor is the concept of abstract world, but a complete world, full of emotional implication. With the words of Mr. Zong is "subjective and objective life character Infiltration blend of natural phenomena, the achievements of a kite flying diving, lively and exquisite, deep but deep spiritual environment." difficult to see, Ye Lang will present the physical nature of the "image" (objects and scenes blend to form the main brains of the abstract "image" of the "like" to do a strict distinction. "'like' is 'material' to the person's perception of the show, is one of the 'thing', revealing the form and meaning. When people put their life into it to go there when the perfusion, it is possible to form a non-sublimation - like. "
Sun, as a physical object, "like", although the aesthetic nature, but may not be able to enter the aesthetic activities. The sun was doing farm work in the farmer's eyes, is "flaming", not the United States. That is, as a physical "Like", it only inspired those who appreciate the beauty, and to blend with it the formation of subjective feelings of the "aesthetic image," when is the United States. Different viewers will form different "aesthetic image" and therefore "Image "contains a person's creativity. Even if the aesthetic nature of a thing, if no one is watching, and can not be beautiful. the United States is inseparable from the viewer, the viewer comes with any creative. This is Ye Lang used imagery of the" United States not from the United States, Akira from person to person "to understand the meaning of the first layer.

2. Beauty is not the same for anyone
Ye Lang believes that beauty is objective, the United States has not changed, people are the same for any point of view is wrong. This shows the viewer a different aesthetic ideal as an individual, aesthetic differences, even in the face the same "as" when also have different "aesthetic images."
Autumn maple leaves is also in the eyes of different people, you have a different feeling. Du Mu "Stop sitting love Fenglin late Red Leaves in Flowers." Difficult to imagine, Du Mu in a carefree, leisurely mood appreciate it when the wind drift of the Maple Leaf, Maple Leaf has already changed the hearts of the appearance of flowers in February than that also Hongyan it! Maple Leaf at this time the eyes of the Mu, is a full harvest and the joy of the image world. And there in the West Chamber "dye cream Lin Xiao to drunk who always tears away from the people." Autumn has come, all litter , Yingying sad because of love in her eyes, tears of autumn maple leaves seem to have been dyed in general, is a heartbreaking image of the world is full of sad. And where the Qi is the "cream is full of complicated heart blood, and sprinkle Dan Akiba to Shiqianfeng. "This is another kind of image the world. At the national survival of the dangers, he set aside personal feelings, the mind sees full of obsession, where the Maple Leaf and took on a heroic tragic feeling color. Links to free download http://www.hi138.com paper with a maple, but the formation of images of different people with different world, gives the United States is different. This is Ye Lang on "the United States is not from the U.S. , Akira from person to person, "the second meaning of understanding.

3. The United States with a historic
Ye Lang that it should stand on social and historical level, the individual differences in the entire human society to be examined historical perspective, the use of imagery in The Interpretation of "beauty."
(1 times the aesthetic differences. Aesthetic sense of individual development and change with the times change, and in a time of individual experience of the aesthetic era will inevitably be branded with the mark. <<Book>> The Famous <<Guanju>> has long been interpreted as Wing Empress of Germany, and today it has long been seen as a love poem by. Not only that, the clothes can also be felt from the changing times. Qing period, man asked to stay long braids, with Mati Xiu, women with the dress, the Republic of China and replace them with tunic, and before and after the May Fourth Movement, men trousers gown plus scarf, woman Duangua dress, which is against imperialism and feudalism, the pursuit of reflect the scientific and democratic spirit of the times. The new China was founded, the country's main colors dull fabrics, dark colors. until the founding of New China relaxed atmosphere of the social environment, the various styles of clothing will be enriched. shows, clothing a mirror of the times.

(2 aesthetic national differences. As the living habits of different ethnic, ideological and cultural traditions, psychological and emotional aspects of the different, which makes them the aesthetic sense there is a huge difference. In everyday life, some ethnic groups to look at obesity as stupid and ugly, and the Egyptians thought that rich, fat is beautiful. Some nation with "teeth white Vermilion" for the United States, and the Malay Peninsula, some ethnic groups that white teeth are canines, be seen as ugly. In Peking opera mask, the white face suggesting insidious, black is a symbol of outspoken. visible, due to the aesthetic taste of different ethnic and aesthetic ideals, so that they made a different aesthetic judgments. As Hegel said: "If we look at Europe all ethnic groups other than works of art, such as their god, these are as a noble thing to be admired by their imagination, but for us it is the most vicious idol. their music in our ears is the most afraid of the noise, instead, sculpture, drawing and music, in their view would be meaningless or ugly. "
(3 class aesthetic differences. The so-called class, along with economic development and the emergence of private ownership of production generated, is directly linked with the social utility of the. Reflect the different classes of class, class consciousness, desire is just the contrary. reflect the aesthetic as well. <"Water Margin"> emotion is brought to us, "rebel", the aesthetic response to the peasants aspirations and ideals. And in the "<Dang>> confused farmers in The image depicts so ugly, a "Zeikou." In Chinese history, there are some such examples, "the king a good waist, the palace more starved to death," Chu ling WANG preferences waist, thick waist for both men and women who disgust, came from the palace to the court are soft with his tight, and later on throughout the country. This good waist of the wind was able to spread, with the elite who despise labor, and indulge in luxury, to meet the bigwigs inseparable The. This example clearly tells us that the aesthetic is of a class nature.

Even with the same aesthetic nature of the aesthetic object, as the main subject of class, ethnicity, age and cultural environment, also have aesthetic differences. This is the "beauty is not from the U.S., the person and Akira," the third meaning.

Can be seen in the aesthetic process, the subject of "meaning" is in a certain form of social and cultural environment, a particular individual (He can only choose to make their appeal to the eye, and with his own aesthetic experience, "like" as emotional sustenance, so as to achieve focussed on the landscape, scenes of the stretch circulation of the "aesthetic image" in the realm of beauty. but this time the formation of the "image" is different from the physical existence of an objective, "like," is people's minds The "beauty of the elephant", which is concrete, based on individual existence, is exclusively his own beauty.

Beauty is the objective point of view, the most fundamental problem is that denial is a social history of American cultural activities. And Ye Lang's "Beauty in the image" not only confirmed the activities in the aesthetic importance of the aesthetic nature of things, but also a greater emphasis The key aesthetic emotion, aesthetic emotion will be the subject of human society in the entire history of environment to be examined, in order to illustrate the scope of U.S. history, is the social, historical product, not the eternal beauty.

But I believe that, Ye Lang departure from the images to illustrate the beauty of the body, there are also theoretical disadvantages. First of all, Ye Lang will be a kind of aesthetic activity as images of activities. It is not appropriate. Aesthetic object is aesthetic generated through the aesthetic object, not the subjective minds of the aesthetic image, not the intention under the results. If the aesthetic activity is the intention of activities must be an aesthetic object image, and every imagination of the minds is not the same , which will not be able to know the aesthetic object. Second, the aesthetic object and aesthetic object conceptual confusion. When the flowers of the main causes of pleasure and satisfaction, it is the aesthetic object, but we can not say that flowers are aesthetic objects, because when It left the main body of the aesthetic, it is only the aesthetic object. aesthetic object is the aesthetic possibilities, and the aesthetic object is the reality of the aesthetic. Marx said: "The act of wearing a dress because it became real clothes, a house uninhabited, in fact, the housing can not become a reality, before the opening of a railway, the railway is only one possible, and only after the opening of the railway is a reality. "
Ye Lang to "image" the image of the core ontology constructed aesthetic system, although there are theoretical disadvantages, but Research in the field of Chinese contemporary unique value and significance, for the "Image Aesthetics" We want to be critical of the inheritance .

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