About On the unique character of traditional Chinese aesthetics and its contemporary value

Paper Keywords: traditional aesthetic value of the unique character of contemporary life
Abstract: The essence of Chinese aesthetics is to make people's lives and to explore how to become a life-like aesthetic Artistic creation, reflects the Chinese people for the meaning of human existence, the value of the realm of thought and life and pursuit of China's unique traditional aesthetics of pArticular concern is the life, value life, emphasizing the experience to a unique style, it is an aesthetic life, life is aesthetic, but also the aesthetic experience of Chinese traditional aesthetics of significance not only because it's important for the modern theory of meaning and aesthetic value , and also reflected in the contemporary aesthetic and cultural, social and life has the important practical significance.


Each of the aesthetic ideas of a nation, are in a certain ethnic and cultural background, mode of thinking, way of life, philosophy and way of so many factors perceived impact of constraints, resulting in the formation and developed the Chinese traditional aesthetics plant rooted in ancient Chinese culture, rich and unique soil, while traditional Chinese culture, "said the performance of its Development, it is a unique cultural system, which has its unique nature and causes." Thus, by This is conceived stemmed out of the traditional Chinese aesthetics, but also has its unique character, embodies the unique life of Chinese people to comprehend, appreciate, understand and expose.

Traditional Chinese aesthetics is different from Western culture in a context very different from the birth of a generation of Western ideology of the traditional aesthetics of Chinese aesthetics, in essence, to make people's lives in order to explore how the Arts and life-like aesthetic creation, it is a special level, a special angle to reflect Chinese people's life, thinking and efforts to solve the fundamental problems of life, embodies the Chinese people for the meaning of human existence, the value of the realm of thought and life and pursuit of this a dark deed in the aesthetic qualities are the fundamental spirit. aesthetic in its essence, can only exist in the poetic of thinking.


A philosophy of life: the theoretical basis of traditional Chinese aesthetics

Traditional Chinese aesthetics, always with the Thought of people associated with blood contact, as pointed out by many re-view: Chinese cultural identity is "the concrete life of the human heArt, of the, discover the root cause of Art, to grasp the spirit of freedom the key to liberation. "ancient Chinese aesthetics is an aesthetics of life, the ancient Chinese aesthetics is people-centered, based on the meaning of human existence, the realm of personal values ​​and life, how to achieve this spiritual realm, therefore, the ancient Chinese aesthetics with very clear and prominent attention in the implementation of life and life characteristics.

philosophy of life is the theoretical foundation of ancient Chinese aesthetics ancient China, "Harmony" philosophy reflects the Chinese people in the study of Heaven at the dawn of day and the relationship between people thinking being, to establish the status of persons, thinking about relationships between people, the ideal personality, the establishment of human goodness and a series of problems, and this philosophy will affect the traditional Chinese aesthetics, so that in the person's position between heaven and earth, the moral spirit, the human mind in the world, people's emotional experience and other issues in-depth thinking, to explore the basis of the formation of a unique aesthetic ideology. the "benevolence" as the core of the original Confucian philosophy, Confucian aesthetic form philosophical foundation. Confucian aesthetics but to reflect the characteristics of people-centered, humanistic characteristics of simple aesthetics.

Based on the United States is rooted in people, people, human moral principles, moral, and therefore, subject to the impact of Confucian aesthetics, China attaches great importance to the aesthetic of traditional aesthetics of the main factors in the psychological structure of personality. Taoist aesthetics of the "Road" as the highest state of the United States. On the one hand, in the Taoist view, "Fu said, affectionate letters, doing nothing invisible, and can not be passed by the, Ke Deer invisible ."(<< Grandmaster Chuang Tzu>> Road is a timeless, absolute, unlimited, on the other channel is "omnipresent" (<<Zhuangzi knows the North Tour>>, which Chinese Taoist thought, as the Hsu Fu-kuan pointed out: "The starting point and destination point, is still implemented in the real life "" In their so-called road, is a real spirit of the highest art. "Dao, View Road, travel channel, the reality of life in order to get people settled, into the artistic life, while the road is nothing but people settle in the final basis set only.

Zen aesthetic but also because of its content and aesthetic life of traditional Chinese aesthetics become an integral part of the "Zen" is a kind of embodies the Zen aesthetic realm of life and the aesthetic realm. Zen is the Zen as a aesthetics with all the nature is human nature Emmanuel, is the beauty of life's most concentrated expression of the universe of law, and is all things vibrant root of all things beauty of the highest expression. It is a Zen pursuit of the ideal realm of life, Acura is the highest Zen aesthetic realm. Zen aesthetics to enhance a traditional Chinese aesthetics for life, the universe of poetic insight, but also adds to the traditional Chinese aesthetics earthly life and poetry of life convinces the content and theory.


Second, the unique nature of traditional Chinese aesthetics

Special attention to Chinese traditional aesthetics of life, value life, emphasizing the experience to a unique style, it is an aesthetic life, life is aesthetic, the aesthetic experience.

Contains real life and living life, people's lives and the world state of human existence so that the two aspects of Chinese traditional aesthetics is direct from the Chinese practice of earthly life, life experience, experience, reflection being bred out, whether Chinese "beauty" before the beginning of the text, or Xu Shen "sheep much the United States", which are primitive fertility cult culture with China are intrinsically linked, are bred in this culture, the concept of the soil, are distinct reflect the aesthetics of Chinese aesthetics characteristics as life.

In ancient Chinese thinkers view, "gas" is the essence of life. Zhuangzi said: 'people's health, qi poly also. Poly was born dead was scattered. "Appears in traditional Chinese aesthetics, only with life characteristics, angry perfusion, the spirit flow, only the beauty of art and literature, and traditional Chinese aesthetics in many important theoretical, scope, are also angry by the beauty of life derived.

Traditional Chinese aesthetics is in the experience, concerns and values ​​of human existence and consider the meaning of life in the process to generate and build up, which in turn reflect the distinct experience of aesthetic characteristics of traditional Chinese aesthetics characteristics of aesthetic experience, the emphasis of the aesthetic object external form, in-depth insight into the internal substantive, and ultimately serene life in the deep implication of sentiment, to gain spiritual liberation and freedom that the aesthetic experience of traditional Chinese aesthetics is the main activity of the pursuit of spiritual freedom, is mind and matter, love with the King, God and the form, meaning and the like, the integration of life and vitality, is the meaning of life the moment sentiment. Thus, the traditional Chinese aesthetics aesthetic experience of the process is the most important issue in traditional Chinese aesthetics, the aesthetic experience summary a "taste", and the Development of such as "appreciate", "interesting", "chew", "taste", "research style" and a series of extensive areas of theory, some of which show the nature of aesthetic experience, or that aesthetic experience the depth and breadth, or the different ways that the aesthetic experience in the aesthetic experience activities, strong emphasis on traditional Chinese aesthetics and the active participation of the main body, the inner edge has feathers, meaning outside the reference group, with the dense flow Dahua, and life in the universe information information connected, eventually become the heart of the great fusion of source and good fortune, the so-called "looking for the move, the heart will shake Yan." aesthetic experience of traditional Chinese aesthetics is the meaning of reality through time and space beyond the finite to obtain an eternal, unlimited spiritual freedom and a high tread, while the aesthetic experience is fundamentally a life experience, life experience is the highest existence, the meaning of life is the moment of perception.


Third, the traditional Chinese aesthetic beauty of life

The study of traditional Chinese aesthetics should include beauty and artistic beauty of life if that life on the philosophy of traditional Chinese aesthetics theoretical basis is the birth and formation of the soil of Chinese traditional culture and aesthetics, then, life is a traditional Chinese aesthetic beauty (aesthetics of life root and dry, artistic beauty is the traditional Chinese aesthetics (aesthetic life of flowers and fruit. beauty and artistic beauty of life study of the formation of unique traditional Chinese aesthetic theory and artistic beauty of life on the United States. is a traditional Chinese philosophy on life the core of the traditional Chinese philosophy seems, the universe, who is the most valuable, "Confucius: the nature of things, humans are precious" (<<Book of Filial Piety>> In traditional Chinese philosophy, whether Confucian, Taoism, or Zen Buddhism, regard for human exploration of students first, all other problems are to solve people's problems started the so-called "Heaven is far, humanitarian Wani" (<<Zuo Zhao Gong eighteen years >>).

Development of traditional Chinese aesthetics aesthetic pursuit of people on the very border of the aesthetic realm. That the U.S. is actually a realm of life, is an ideal aesthetic realm of life. Realm of life reflects the people seeking their own foundation for the process of the formation of the mental state, and aesthetic activities, through the Jerneh peaceful contemplation, through intuitive perception, epiphany true meaning of life, access to a very aesthetic environment. Thus the aesthetic realm of traditional Chinese aesthetics and theory of traditional Chinese theory of human science realm of life tends to unity. the highest realm of life (beyond the aesthetic realm of the mind and sublimation in traditional Chinese aesthetics, whether Confucianism, Taoism, aesthetics, or aesthetics of Zen Buddhism, regarded the freedom of life as the highest realm of the aesthetic realm of the aesthetic ideal and the highest in the Taoist aesthetics, I put "the same in the Road" as the highest pursuit in life with a very high realm of life. Zhuangzi aesthetics but also has the "nothing to be" and "Escape" of the ideal realm of life and yearning for the aesthetic realm. Zen Buddhist aesthetic look beyond this world of trouble, out of interest and care about fame and fortune coherent, so that the heart and really as one to achieve absolute freedom of the realm of life.

Because of their ideological differences and the aims, objectives different from Confucianism, Taoism, Buddhism and three aesthetic aesthetic life for their freedom in the realm of the pursuit, the Development of their different aesthetic ideals. Confucian aesthetics developed a "and" aesthetic ideas, emphasizing the beauty and goodness, emotional and intellectual aspects of harmony and unity. Taoist aesthetics developed on the "wonderful" the aesthetic ideal, emphasizing the aesthetic experience is not only to grasp the formal beauty of the natural world, and is realized in which the Yun Ji beauty of life as the body of the "Road" and "wonderful." embodies the Zen aesthetic emphasis on inner experience of the meaning of life, respected for the life of a revel in the transportation, natural amenities, quiet Apprehension, self-sufficient but the freedom to complete the aesthetic realm.

For the life of traditional Chinese aesthetics aesthetic realm, but also the performance of a life of aesthetic values. Is also reflected in the pursuit of an ideal personality. This pursuit of its interests beyond the shackles of the soul leaving the return to basics, into life The clarity of the environment, but elevated to an aesthetic personality.


Fourth, the artistic beauty of traditional Chinese aesthetics

If the United States constitute the life of traditional Chinese aesthetics of life deeply rooted in traditional Chinese culture, roots and the soil dry, then the artistic beauty of traditional Chinese aesthetics constitutes the gorgeous flowers and fruits. This traditional Chinese aesthetics to the poetic inhabit generate attention and pursuit of reality as the two basic dimensions to expand the one hand, and the home country of personal misfortune Concerned Huirong one, energies lyrical poetry, or poetry to resolve the inner soul anxious, settled life. to poetry (poetic arts tend to become an important bottom-up approach on the other hand, in human Development, personality raising and construction history, art has become a reality to life as a poetic dwelling Transcendence an important component of The so-called "Xing in Poetry", "as in music" (<<Analects Taber>>, "Immersed in Art" (<<Analects of Confucius described>> the desire and pursuit of poetic dwelling, not only for China traditional culture in the aesthetic sensibility of individual expression and aesthetic ideals, knowledge and cultural groups, but also the common aspiration of the will from the Jin Dynasty to Song Dynasty Lanting Su and Su four degree such as West Park Gathering, are very concentrated expression of the this point. Links to free download http://www.hi138.com traditional Chinese aesthetics of art but also as colleagues as organic beings, for the artistic beauty of the views of people with obvious features of Liu Xie said: "will certainly be emotional for the gods, something defined as bone marrow, speech mining to the skin, Palace manufacturers to complain" (<<Wenxindiaolong laws will be>> based on people-oriented, people-be arts of aesthetics, the traditional Chinese aesthetic form, developed a very rich, important and unique nature of the aesthetic category, aesthetic proposition, aesthetic theory, such as "form" "God," "gas" "rhyme" "Wind", "bone", "bar" "blood" etc. These areas are interconnected with the ideas developed out of "God-shaped", "strength of character", "character" and so on, and these rich variety of theoretical areas, often associated with complex, forming a very grand system of aesthetic theory and aesthetics category system, the community emerged in the aesthetics of traditional Chinese aesthetics as a prominent aspect of life.

Art of traditional Chinese aesthetics will not only be like as a whole, like organic life, which people to be art, but also the characteristics of the artistic life and artistic creation linked to the main feature, therefore, as a person, Poetry for aesthetic character of a class of propositions and ideas to become an important traditional Chinese aesthetics composition, thereby depth exploration of traditional Chinese aesthetics of the artist's temperament, ability and insight, interests, learning support, and even emotional, psychological, physical, artistic creativity, etc. factors and the complex relationship between art in view of traditional Chinese aesthetics, literature and art fundamentally, is to solve, think about the importance of poetic means and ways of life. And art has become much more than death to immortality ways, such as Pi said: "Sometimes the best years of life, just by his body-wing music before choosing the period to the normal, if the article is not the infinite. ... ... do not trust the history of good speech, not in the trend of speeding, and autobiography in the post-fame "(<<Code on the papers>> through art, people receive eternal life.


Fifth, the value of traditional Chinese aesthetics of contemporary

Traditional Chinese aesthetics and shows the distinct aesthetics and experience the life aesthetic characteristics, stress, life sure the U.S. is always positive, life-affirming. Traditional Chinese aesthetics is based on bottom-up sense of human, dimension, values, methods, and the realm of life and many other issues to explore, experience, pursue, and understand and build up, highlights the life of the aesthetic, poetic, while the artistic life of the people-oriented. Thus, the theory of traditional Chinese aesthetics in its sense, not only showing treasures of traditional Chinese culture, a rich and precious, the show is different from the development of Western aesthetics and ideological significance of the unique value, while for the integration of the contemporary world economic trends, the world entered the post-Cold War political landscape of post-modern cultural context, in the dominant discourse of Western aesthetics, the Chinese aesthetic discourse of marginalized status, and even "aphasia" in fear modern context, how to reconstruct the national characteristics of modern aesthetic theory and the modern aesthetic discourse system, has important theoretical significance can not be denied.

Needless to say, Chinese contemporary aesthetics of the building, without the results of the absorption of Western aesthetics, learning, inseparable from Western aesthetic frame of reference, however, the construction of modern Chinese aesthetics also must think about this question: "What have we to Do not have their own awareness of the problem, that in our own nation's cultural construction, not to propose and solve their practical problems and a series of important theoretical principles. "If we build a modern aesthetic culture from the reality of freedom and avoid staying in the pursuit of Western aesthetics and imitation, an important aspect is the need to fully learn the traditional Chinese aesthetics resource-rich nutrients, in-depth resources of traditional Chinese aesthetics based on thorough research, develop their own national aesthetic issues, and build a unique modern aesthetic category, logical structure and ideology of Chinese traditional aesthetics of origin for the United States, understanding of the nature of beauty and views, for the aesthetic of the main building of the attention, Personality and aesthetic ideals for life realm of search, as well as the traditional Chinese way of thinking of aesthetics, features, extensive category system, etc., will have an undeniable historical value.

The significance of traditional Chinese aesthetics is that it not only important for the modern theory of meaning and aesthetic value, and also reflected in the contemporary aesthetic and cultural, social and life has the important practical significance, as discussed by Leaving: "People thought points, often people's own problems, life is still alive there will always be anxiety, tension, fear, confusion, always haunted the people. people how to think about bottom-up people since ancient times is an old topic, the ancient people thinking is not necessarily shallow thinking than modern or simple. "aesthetics same is true of life and aesthetic face some fundamental problems, not with the times have gone the transfer of Chinese traditional aesthetics in terms of number of ideas for today did not lose effectiveness, there are still important practical significance.

Attention and emphasis on traditional Chinese aesthetic ideal of the aesthetic pursuit of life, emphasizing people's earthly life, emphasized the existence of human life transcendence. It attaches great importance to the people and affirmation, but also by no means a post-modernist culture emphasized biological, instinctive, but rather moral, cultural, people, emphasizing the ideal personality of the building, these traditional aesthetic resources, The creativity in the modern transformation, when the spirit of modern Chinese civilization and the spiritual world and build some role to play blame with the accompany of modern civilization is the inner spiritual crisis, spiritual soul pale and anxious, while China traditional aesthetics emphasizing the aesthetic heart of the construction and Tao Yang, emphasizing Jerneh, Emptiness, the spirit of the snow bath, which "addicted to things" (Zhuangzi language, unlimited expansion of modern materialism, no doubt with detoxification, heat, refreshing effect.

In short, the traditional Chinese aesthetics with rich, valuable and unique ideological content, from the perspective of modern hermeneutics, aesthetics is not a traditional Chinese Chen things have become in the past, but in the interpretation and understanding of their constant and often generate new, In its constant questioning and thinking among transport, showing the eternal life and meaning.


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