On the "Regret for the Past," the aesthetic ideal

<<Mourning "is only a description of Lu Xun's May Fourth Movement of young men and women love life fiction, not only profound ideas, and has a strong artistic charm in modern literary history is well-known famous, is Lu Xun's masterpiece. This paper attempts to aesthetics appreciate the perspective of the <<Mourning>> for interpretation.

A
Lu Xun's novels has never been demonstrated as a great thinker of originality and depth of his contemporaries to explore the unexplored new topics. To create a period of 54 new literature generally tend to be small bourgeois self-expression, only Lu Xun alone, describing the "old gray Chinese sons and daughters of life." lazy alleys of Kung which has the burden of life's negative numb Runtu have self-deception, pitiful and ridiculous Ah Q, a dying doubt whether the soul Xianglinsao have vague, casual, Lu Wei-fu ... These glorious art of the typical form of a before and after the Revolution, "Greater China's life" pictures. <<Mourning "It was a description of fifty-four during the life of young men and women, in terms of ideology, also show such originality and depth.

<<Mourning>> the grim realism of brush strokes reveal a dark and evil feudal system. Revealed the strict feudal patriarchal society, the feudal force of habit is to devour and sub-Jun Juansheng this young lovers, their love and even swallowed life of the novel show a strong anti-feudal color, but <<Mourning>> did not stop at this point the anti-feudal, Lu Xun <<Mourning>> shown in the idea of ​​love than the life of contemporary theater works much deeper.

<<Mourning>> the link love and ideals. Love, which was originally a spiritual force people to obtain a better feeling of happiness, true love makes the world see the beauty, to see life in poetry, but if people put the entire contents of his life reduced to just love this point, only to find personal happiness, then life will give him a cruel punishment. Juansheng and sub-Jun on just fighting for the freedom and happiness in the resistance old's struggle, they have a courageous and fearless, but got love, they all meet, not forward, when Juansheng unemployment, insecurity of life, and even a little bit of personal well-being lost in the real-life cruel blow, they are no longer able to fight with the environment, life on the battlefield has become defeated. Juansheng and sub-Jun tragedy reveals a frightening truth: If our purpose in life is just personal happiness, and personal well-being and only In love this point, so beautiful beautiful, people will be transformed into love enchants, it will become dark and empty wilderness.

54 times, coming from the West of emancipating the mind and personality, were all the rage, many intellectuals in the years leading to its own happiness as the world's Jinqiao, Juansheng and sub-Jun is so young. Against the feudal forces, for free love struggle, the liberation of the individual ideological weapon, really gave them courage, especially sub-Jun, boldly declared: "I own, none of them interfere with my rights." But the harsh reality personality of emancipating the mind does not have a spiritual effect, Juansheng painfully confessional: "This is half a year, just to love - blind love - and the essence of someone else's life completely neglect the first, is life. people will live, love only Reattachment. "shows that he had been awake when the child king's death, Juan Sheng said," remorse and sorrow. "This remorse, sorrow not go short of a happy nostalgia, but regret their and sub-Jun wrong way, as sub-king of the innocent victims and sorrow at this time Juansheng new way out though do not know where, do not know how to a new road, but he has a yearning for a new way out impressive advances in determined. "Grieve" means both a past Shangdao, and past life goodbye is, however, that the hostess did not know son king Why exchange struggle with tenacious love so easily lost? This is Zijun death not understand. not to their own fate and the fate of the motherland and the people associated with the individual happiness is impossible to get. Juansheng and sub-Jun tragedy had been born, one of the reasons is they do not know the truth here emancipating the mind and personality of Lu Xun's criticism of how profound! In Lu Xun's view, the Western bourgeoisie moved from emancipating the mind and personality of weapons, in the old semi-colonial semi-feudal Chinese society, not cure the ills of a social medicine.

From the small circle out of individual liberation, the freedom to love, ideals and social emancipation and control cable to link the road, toward a noble goal in life, which is Lu Xun <<Mourning>> shown in the aesthetic ideal, resulting in a lofty realm of art.

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<<Mourning>> is a love tragedy. Xun could have a positive description of the joy of love, like many writers the same period as for the youth promised that fantastic future, describing their love of the whispering love words, so that the hero shout the desire and hope for a bright, however, Lu Xun did not write, he is naked and exposed red thick darkness of the old society, ruthless and even cruel to the plight of the dead revealed.

Lu Xun had been to give a definition of tragedy: "the tragedy of the destruction of valuable things in life to others." This statement reveals the tragic nature of Engels said, the tragedy reflects "historical necessity of the requirement, and this requirement does not actually possible conflict between the tragedy. "In other words, tragedy is a certain historical period, two social forces sharply conflict, temporarily overwhelming the forces behind the new force, therefore, tend to produce a tragedy of power, a inspiring sublime beauty. Lu Xun's tragic beauty is very appreciated in "Essays crisis>>, he said:" he could feel the sand, Langhu groups when, who many leisure to bother to Autumn Amber fan fall , emerald ring it. even if they are to be pleasing to the eye, to be is also standing in the sand in the large building, to be strong and great, not how fine, even if they are satisfied, to be also the daggers and spears, to be sharp and strong, do not need anything Ya . "Thus, in the era of social upheaval, people's aesthetic taste is a difficult and ambitious tragedy tend to the United States. the art of Lu Xun in his field, is committed to the performance of this beauty. the United States produced this tragedy The artistic effect is to inspire people to tear human flesh Feast of the old society, to explore the truth. It is based on the aesthetic point of view, Lu Xun wrote "Regret for the Past>> also used the tragedy of the form.

So the novel unfolds is surrounded by a thick dark hero and heroine, where not only the father of the child king awesome, outrageous cell Uncle, and catfish have to rub cream of the old things and little things obscene, contemptuous of the cold, some passers-by to laugh, to explore the vision in around them, even can not find a sympathizer who struggle, struggle under the weight of life, and will spend the ideal, they are old forces defeated and finally into a of a "not even the tombstone of the grave, another break in the clubhouse remote house, so he was surrounded by emptiness and loneliness, regret and sorrow gnawing his broken heart. all hope, joy, love, life, but all gone up. "lovely young lives destroyed, the ideal, the hope of a better destruction, which is <<Mourning>> performance out of the grave in the tragedy.

In the thick atmosphere of the tragedy of life, struggling with the hero and heroine, not the position of prominent, high-spirited, arrogant Mind Libertine, stunning beauty, they do not make epic, earth-shattering career, their love is not that kinds of life and death, enduring eternal love. Juansheng and sub-Jun in the cumbersome daily life and will spend the ideal of the "little people." Therefore, Lu Xun wrote the tragedy and the tragedy of the Western classical tradition is completely different: <<Mourning>> both character of the tragedy is not, nor is the fate of the tragedy, is neither a "good luck, purify" the tragic hero, nor is it "bad guys Zaobao, triggering pleasure" of tragedy according to Lu Xun's own statements <<Mourning>> should be a "Almost nothing of the tragedy." Links to free download http://www.hi138.com Lu Xun in the thirties, from Gogol, Tuo Aliyev Chomsky's work in properly found a new tragedy in the form, he called it "almost nothing of the tragedy." Lu Xun "People die in the tragedy of the hero were less specific, very common to spend on, or just close to the tragedy of those who did not do more." In this period, that is, write <<Mourning>> time, Lu Xun, although not yet clear that this tragedy in the form, but in his own artistic practice has opened up new areas of the tragedy. Lu Xun's keen insight, so that he can from the daily mundane chores, found shocking tragedy.

In the semi-feudal old China, a dull society, Lu Xun saw, how many tragedies occur when people are indifferent Oh! So he wrote the tragedy of the feudal ethical code eaten Xianglinsao, wrote Revolution of Ah Q as innocent victims of the tragedy, wrote down and hole B has been the tragedy of his life, wrote a love Juan Sheng and Zi Jun Tragedy ... ... Lu Xun tells us, migraine is extremely common these personnel in the most ordinary, with all the sorrow forever. this aesthetic principle - in ordinary, common things lurking deep in the tragedy - is the sober reality and Lu Xun spirit inseparable, with the Lu Xun to awaken the public, the revolutionary ideals of social transformation is closely linked to this by no means a purely personal aesthetic taste, but the times, that the decision of the troubled times in misery Old China soil to grow up great writer, he must be describing the ordinary people of ordinary tragedy, Sorrow, and promote the fight.

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<<Mourning>> been able to demonstrate unparalleled depth, resulting in great artistic charm, of course, many reasons, but one important reason is that Lu Xun in-depth characterization of the psychological character of his pen as a ruthless dissection knife, the secrets of the human soul, naked to show in front of the reader, can be said that Lu Xun was a great human soul interrogators.

Lu Xun to write no matter what, there is a clear artistic goal, that is, "reflects the national soul." Turning to the <<Story of Ah Q>> the purpose of creation, said he would "write a modern people of our soul to. "in art practice, the Lu Xun also successfully reach this goal, his first novel <<Diary of a Madman>> analysis of the human soul is known, <<Mourning>> It is also because shows the human soul and the art of people had a shock effect.

Lu Xun on the open character of this inner world of attention, admittedly, have been subjected to criticism of nineteenth-century master of realism, Tuo Dostoevsky's influence and he castigated the special human soul is a writer praised .1926 in <<the poor>> translated into Chinese, the Lu Xun introduces readers to the works of Dostoyevsky, and that his work is very unique thing, that is, "he wrote characters, is almost impossible to describe the appearance, as long as tone, sound, not alone to their thoughts and feelings, is also said that the face and body, but also because the show's soul deep, so reading it works, then people with mental change. "Lu Xun that this will" shown in the human soul, in the high sense of realism are. "obvious, Lu Xun Tuo Dostoevsky's appreciation lies in the courage to face the harsh life, the" soul of the show in person, "this on Lu Xun in his art was also learned that strength under Lu Xun in the inner world of characters in digging has also been subjected to the impact of the early twentieth century modernist popular as a great revolutionary realist, in the arts way, he is eclectic, even Symbolist impressionist, nor Yibimasha he was very like the Russian writer Ante Leif, that "the creation of Ante Leif where they contain a serious realism and deep slender, symbolism and realism to reconcile. Russian writers, no one as he's writing in general, ablation of the inner surface of the performance difference with the outside world, and emerged in body and soul of the situation. "This," emerged body and soul of the situation ", is Lu Xun in the pursuit of art, however, is not only a writer Lu Xun, he was a revolutionary and thinker." shows the human soul, "Lu Xun is not just as a to the pursuit of artistic expression, he is the height from the transformation of society to explore the subject. Lu Xun once said with bitterness: "The Chinese are afraid to face life, at least for the social reality, has always been not the courage to face." "Everything Bi Yanjing, talk to self-deception, and deceptive, that is: hide the truth and lie. "He believes that" art is issued by the national spirit of the fire, but also to guide the national spirit of light. "Based on this, try doing so he has been" digging through the depths of the soul "work for" people affected by the spirit of the bottom Kuxing obtained trauma, and that was hurt and the wounds from healing, to be bitter wash away, and embarked on a new way. "Thus," shows the human soul ", in Lu Xun's view, should be a wake-up and his people must be consistent with the purpose of.

<<Mourning>> Lu Xun's "shows the human soul" of an example of the success of the novel has two distinct features: First, calm analysis of the psychological. With Mao Dun's words, is "said bluntly stripping Our men and women. "In order to facilitate the psychological analysis of Lu Xun, write <<Mourning>> when used with the mind in the form of the first recorded person who is the hero himself, easy to readers to open the door that one soul. So the novel by Juan students describe, demonstrated his "A year ago," is how lonely emptiness awaits Zi Jun, passionate love child king, then, love in the solidification of a peaceful life, disappeared in the face of poverty and this complex mental activity, through the hero's own narrative, the reader a glimpse of his soul's privacy. Here, the Lu Xun to calm attitude anatomy of the hero, as a harsh judge in the interrogation of prisoners. Take a look at novels written confession of Juan Sheng Jun to the child not love her hair after the mood: "ice acupuncture with my soul, so I never suffer from numb the pain. Life's road is still a lot, I also have not forgotten wings Son of the fan, I would like I suddenly thought of her death, but immediately blame, repent. "blame the one hand, there Juansheng feelings, but can not hide his king in order to get rid of the child to feel relaxed mood. When the king returned to his father home after the child, Juansheng again thought of her death, and admitted that he was a "cowardly, should be discard in the powerful people", and later king really died, because like the previous two Juansheng get rid of sub-Jun and think of her death, when his pain and regret even more strongly and this in a thorny road ahead insist on, however, does not open out of selfish interests have been "ghost" image of intellectuals, not the living presented in front of the reader it? we not only know him, understand him, even with him the joy and pain, of sin in hell with toxic flame in the wind looking for sub-Jun, Lu Xun is so low tide reveals the May Fourth period of the petty bourgeoisie intellectual soul, he was so ruthless, and then the real is amazing. is the pair-jun, the gentle and shy girl, innocent victims, Lu Xun also not polite to "stripping", questioning her soul is no wonder that the characteristics of Lu Xun, "the first, calm, and the second, still, calm and the third, or calm. No matter how tight you pack too, as long as he is to see you this naked man." This cool grim realism from his creative method, but also from him as a great revolutionary experience a high degree of responsibility, as Lu Xun's cool, is that "the courage to face the bleak life, daring to face dripping blood," the warriors of cool. calm the shell, and cooling the inside of the shell is a mass of red-hot fire. Secondly, the analysis of character psychology, with a strong lyrical one hand is the objective of calm, on the other hand showed subjective and lyrical, this is not self-contradictory? and "Regret for the Past>> It is these two seemingly contradictory extreme bizarre uniform color, Lu Xun once said:" I do always anatomy others, but more is more ruthlessly Anatomy of myself. "ruthlessly dissected himself of this idea is reflected in many of his novels, the formation of Lu Xun's unique lyrical color, if anatomical characters in Lu Xun's soul, as Superman standing in the clouds, cold to blame the world of stupid and despicable, so his work will not be as impressive. No, Lu Xun in the lashing of the soul of others, they castigate his own soul. Of course, not Juan Sheng Lu Xun as pioneer who thought of Lu Xun, never lost the Juansheng and equated his ideas than Juan is much higher, but Juansheng painful experience, he was emancipating the mind and personality doubt, the new road up and down quest perseverance, not also reflect the thinking of some of the side of Lu Xun was it?
Because of this, the whole story, from beginning to end rang with the author subjectively lyrical tone of the novel's main theme music lyric is "deep sorrow", sometimes like a whispered talk with the murmur of the brook, and sometimes anger like a mighty river growled. Here, we feel the author's sinking heart beating red-hot, he's the hero with the pain, with the call sign, sometimes painful and carefully criticized the hero's weakness, this desolate sound through time and space in the new century, still in our hearts shock response, shocking, they were awakened, summoning people to continue to hesitate to new life out of the first step. Links to free download http://www.hi138.com